RED IPP2 (Gemini, Helium, Monstro, Dragon).Blackmagic Film (BMPCC, BMPCC 4K, BMPCC 6K, Ursa Mini G2, Ursa Mini 12K).

Sony S-Log (A7S III, A7S II, A7 III, A7R III, FX3, FX6, FX9, FS5, FS7).The end result are conversion LUTs that deliver natural and organic color palettes, creating the perfect starting point for further stylization.īelow is a list of formats the new LUTs are compatible with, along with some of the cameras you can apply them to. When creating these LUTs, I used the native camera-brand LUTs as a baseline and then made additional adjustments to enhance color balance, contrast, saturation, and other key variables. With that in mind, I decided to create a a brand new set of color grading LUTs to replace (and improve upon) the LUTs being used with many of today’s popular cinema and video cameras. Most camera brands offer LUTs for use in post-production, but the quality of their native LUTs isn’t always great. Looking for a color grading LUT to convert your raw footage from Log to Rec 709? I have you covered with this free set of camera-specific LUTs for Sony, Lumix, Blackmagic, Arri, RED, Canon, Fuji & iPhone!Ĭonversion LUTs are of course applied to raw footage and used to create neutral starting point for your creative color grade.

Blackmagic color grading